A transição do dia para a noite. Ela magicamente nos enfeitiça, deslizamos nela como água e a desfrutamos: apesar de todos os seus perigos: é a noite que amamos.

The blood flows and the fur flies in Coons! Night of the Bandits of the Night from director Travis Irvine and Overbite Productions! In this hilarious horror spoof, a group of wild college kids arrive at Raccoon Creek Campgrounds with hopes for a summer full of good times, ample booze and hot pre-marital sex! But a pack of hungry raccoons, no longer content to scavenge through the garbage for their food, arrive to put a stop to the debauchery with their vicious dispositions and ravenous appetite for human flesh! As the bodies pile up, only two young lovers, with the help of a crusty hippie hermit and a bumbling park ranger, can stand up to the murderous masked menace and save the summer for drunken teenagers everywhere!

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In a remote mountain village under the watchful eyes of two stone guardians, the young Yuru contentedly lives off the land while staying close to the only family he has left—Asa, his precious twin sister. Asa, meanwhile, carries out a mysterious “duty” on behalf of the village while locked in a cage. Why is Asa a prisoner? And what other secrets does Yuru's otherwise idyllic home hide?

So-hee enjoys her seemingly perfect life as a newlywed with her seemingly perfect husband. For being so perfect, she begins to suspect that her husband isn’t as he seems. Wanting some answers, she hires a private detective agency to trail him around.

After the death of the last survivor of a multiple murder, which remained in a coma, a journalist is asked to make an infographic about the case. Her personal involvement with the event will give clues to unexpected connections that shed new research data.

A group of friends on a hunting trip, staying at a cabin in the middle of nowhere start being attacked by a beast.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.